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The traps of the Dakar level the playing field. The hard labour is the same for
everyone. A mixture of unique genres, the Dakar enforces the same route for cars,
motorbikes and lorries. Faced with the sandstorm of Ténéré,
which caught 40 competitors in the desert for a night in 1983, fatigue, falls,
mechanical disasters, because everyone is in the same boat. Everything can be
wiped out in a second. “The race track is like the sea, if you’re
not afraid, that’s bad”, Michel Merel explained. “I’m
afraid of the course; you don’t play with it, you can’t joke around
there.” This anecdote by Fenouil, justifying a fall right in the home straight
because he was asleep at the handlebars of his machine launched at full speed,
has also gone round the world.
The Dakar is a story of people, of character. Never to give up, to find one more
dose of courage, to find the strength to continue the route: this is the only
recipe for success in the Dakar, the last modern adventure still financially
accessible to amateurs. The general public and the media are fascinated by this
succession of feats and these first images of setting out in line in the immensity
of the Ténéré.
The stars of sport, television, the cinema and song are attracted by this exceptional
adventure. Claude Brasseur (Jacky Ickx’s co-pilot), Thatcher’s son
and Daniel Balavoine came to experience in the Dakar the fascinating stories
they’d been hearing for years on television. And these stars then turn
into people like anyone else, minuscule faced with the immensity of the desert. “You’re
a little grain of sand, you rediscover here all the humility of humankind, there
are no stars”, Michel Hidalgo testifies. |
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